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Digital Photography Topics
(pdf documents - open with Adobe Acrobat Reader)
HDRI Part II by Pat Burgess
HDRI
Part I by Pat Burgess
Color Management
by Ted Moreno
Digital
Photo Data Recovery
Fun
with the Crop Tool by Dennis Owsley
Histogram
Basics by Jerry Miller
Quick
Fix for Jpeg Image by Jerry Miller
Quick
Fix for Raw Image by Jerry Miller
Resize
an Image for Submission by Jerry Miller
Sharpening
Techniques by Pat Burgess
White
Balance Basics by Beverley & Jerry MillerH
FTP Client Setup
FileZilla -
Client Download
Stimulate Your Creativity
SUGGESTED READING (merely a beginning) for The Creative
Process
prepared by: Nancy Rotenberg,
our 2007 Seminar speaker
|
The Artist’s
Way |
Julia
Cameron |
|
The Heron
Dance |
Ann
O’Shaughnessy |
|
Trust the
Process |
Shaun Mcniff
|
|
Creators on
Creating |
Frank
Barron
|
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When the
Heart Waits |
Sue Monk
Kidd |
|
Humans in
Training |
Jay D.
Allen
|
|
Zen in the
Art of Archery |
Eugen Herrigel
|
|
Art and Fear
|
Bayles &
Orland
|
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Point Zero
|
Michele Cassou
|
|
The Artist’s
Soul |
Linda
Coons |
|
The Creative
Artist |
Nita
Leland
|
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The Courage
to Create |
Rollo
May
|
|
The Art
Spirit |
Robert
Henri
|
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The Tao of
Photography |
Gross &
Shapiro
|
|
Everyday
Creative |
Eric Maisel
|
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The Zen of
Creativity |
John David Loori
|
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The Zen of
Seeing |
Frederick
Franck
|
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Man’s Search
for Meaning |
Viktor Frankl
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Tips
For Midday Photos
Ten
great ways to break the rule against middle-of-the-day photography
by
Darrell Gulin, our 2003 Seminar speaker
When
I first began to photograph, there was a standard rule: Do not photograph in the
middle of the day as the light is harsh and the results will be poor. Midday was
a time to travel, scout new locations or just rest. Today, that rule is meant to
be broken. I still travel and scout at that time, but seldom do I rest in the
middle of the day because, with a few tricks of the trade, I can keep
photographing all day long and still get excellent images. So rest when you get
home from your photographic journey! In the meantime, keep in mind these 10
tips:
1.
Come in closer
2.
Take advantage of backlighting
3.
Use fill-flash
4.
Watch for passing clouds
5.
Diffuse the light
6.
Work in the shadows
7.
Use reflectors
8.
Use reflections from canyon walls
9.
Take advantage of overcast days
10.
Use a polarizer
Murphy's Laws
by Tom Murphy, our 1997 Seminar speaker
Tom provided the following tips that he calls Murphy's
Laws.
ITS A GOOD IDEA TO SHOW UP
Get up, go out and observe. There are wondrous, beautiful
things happening in our world constantly.
KNOW YOUR SUBJECT
When you can't be outside, learn about our natural world
from books, magazine articles and all other print media. The most important
source of information is from educated observation. Know what you are
looking at and pay close attention. Expect to be surprised and amazed.
KEEP YOUR PHOTOGRAPHIC EQUIPMENT TO A MINIMUM
Take only what you can easily carry. Cameras and lenses are
only tools. Spend plenty of time learning to use them and keep in practice. The
technical aspects of making a picture should be a minor part of your effort. The
creative, fun part is finding a photograph and standing in the right place.
LEARN HOW ONE FILM SEES THE WORLD
Choose one film and use it exclusively until you know what
it will do. Understand its contrast range, color bias and sensitivity.
Once you learn about that film, then go on to others because you now have a
basis for comparison.
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